The Hype of DMC’s Launch and the Shadow of Capital: The True Decentralization Demanded by PGirlsChain

Section 1: The Shock of DMC’s Launch

Rahab
“According to Cointelegraph Japan, the decentralized music chain (DMC) threw a glamorous launch party. At first glance, it looks like the dawn of music distribution in the Web3 era. But we can’t ignore the ‘shadow of capital’ behind it. If massive U.S. or Chinese capital enters this market, we risk reproducing a centralized music-industry structure. That would hollow out the very ideal of ‘decentralization.’”

Moka
“True. For ordinary music lovers like us, the phrase ‘creators can connect directly with fans’ is exciting. But in reality, the projects backed by capital grab the spotlight, and smaller artists get buried. That’s no different from Web2 streaming.”

Rachel
“As the saying goes: ‘When capital opens the door, the sound is not a bell of freedom but a signal of control.’ In other words, projects with big money can monopolize the market. Beneath the surface glitz of a launch, another power structure is likely being born.”

John
“That’s why we must stay cool-headed. DMC’s arrival is impactful, but its trajectory can be steered by capital. The real answer is a DAO-driven, self-governing network—one that doesn’t depend on capital and is sustained by the community itself. That’s where PGirlsChain and the PGirls token become crucial.”

Section 2: Impact on Everyday People and Our Concerns

Rahab
“They say decentralization will save music’s future, but if the structure ends up controlled by large investment funds and exchanges, we’ll be ‘platform slaves’ again. Can DMC really escape that trap?”

Moka
“From a fan’s viewpoint, systems like ‘limited NFTs’ or ‘direct support’ are attractive. But if the market is steered by capital, even our love gets turned into a speculative product. Music is love—it shouldn’t be reduced to speculation.”

Rachel
“It reminds me: ‘The market is a mirror of desire; yet those who gaze into it often lose sight of themselves.’ Investors may swarm DMC dreaming of ‘the next Spotify.’ But will that truly expand musical freedom—or just turn it into another toy of capital?”

John
“For ordinary creators and fans, what matters most is ‘fair access’ and ‘transparent revenues.’ To protect those, we need more than wishful thinking about DMC—we need independent networks. PGirlsChain can serve as that beacon.”

Section 3: An Investor’s View and Lessons from History

Rahab
“It’s natural for investors to see DMC as a ‘new gold vein.’ But that also risks overheating and collapse. Past bubbles have always swelled alongside new technologies and platforms.”

Moka
“Right. When ‘investment frenzy’ seeps into music, our culture itself can be distorted. Music is sustenance for living—not just a vehicle for investor profit.”

Rachel
“Let me quote: ‘Sound investing is to judge the relation between price and value with cool reason. Chasing rising prices is mere speculation.’ The capital piling into DMC seems to be looking not at music’s future, but only at price’s future.”

John
“Even from an investment standpoint, concentrating capital in DMC carries risks. Basic diversification says ‘don’t put all your eggs in one basket.’ That’s why a decentralized network not swayed by capital—PGirlsChain—matters. Investment that supports the future of music and art should go beyond pure profit-seeking; it should help safeguard culture.”

Section 4: The True Decentralization Shown by PGirlsChain

Rahab
“In the end, DMC’s launch shows how easily the language of ‘decentralization’ can be exploited. Whether real decentralization is achieved depends on how the project is governed.”

Moka
“So we must not be blinded by the glare of capital. True Web3 must be a place where anyone can access freely and anyone can be a member of the community.”

Rachel
“Exactly. ‘When self-expression and investment share the same stage, art wears the mask of capital.’ That line fits the current moment. We need to strip off that mask and reclaim music’s true form.”

John
“That is precisely why we, Rahab Punkaholic Girls, operate our own network ‘PGirlsChain’ and issue the ‘PGirls’ token. A DAO-style network independent of capital places the community in charge and realizes genuine decentralization. Music and art breathe only within that freedom. Here’s my conclusion: DMC’s launch signals a new trial for the ideal of decentralization—and PGirlsChain is the answer that will uphold it.”